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Today we run two old concerts. Above anything, they have their style in common: Both focus on neoclassicism. This was the dominant style in the 1920s and 1930s. Its characteristics: Understated structures, sometimes biting irony, influences from jazz and cabaret music and a nostalgia for the days of Mozart

Today we rerun two old concerts. Above all, they have their style in common: Both focus on neoclassicism. This was the dominant style in the 1920s and 1930s. Its characteristics: Understated structures, sometimes biting irony, influences from jazz and cabaret music and a nostalgia for the days of Mozart

 

  1. André Caplet – Divertissement à l’Espagnole
  2. Lex van Delden – Sonatine for saxophone and piano
  3. Rosy Wertheim – Six morceaux
  4. Reine Colaço – Osorio-Swaab Fantasia
  5. Leo Samama – Capriccio for alto saxophone and piano
  6. Manuel Rosenthal – Saxophone Marmelade
  7. Calliope Tsoupaki – Pirouette
  8. Ron Ford Broken – Melody
  9. Darius Milhaud – Scaramouche
  10. Paul Maurice – Tableaux de Provence
  11. Ton de Leeuw – Three African Etudes
  12. Alfred Desenclos – Prelude, cadence et finale
  13. Erwin Schulhoff – Hot Sonata
  14. Daan Manneke – Soyons plus vite que rapide de depart
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