wo 1 mei 2024 22:00 uur
Genres: Eigentijdse muziek | Electronic Music | Elektronische muziek | experimentele muziek | Minimal Music | Pop
Tags: Electronic | Experimental | pop | PopArt
Tags: Electronic | Experimental | pop | PopArt
“Permit me to inform you of my desire…”
In deze aflevering van PopArt een selectie van tracks die ons in de afgelopen periode aangenaam verrasten, of – beter nog – de mond deden openvallen van verbazing.
- Prefuse 73 – She Needs No Introduction
New Strategies For Modern Crime Vol.1, 2024, Lex Records - Lorenzo Montanà – Arenaria
Vion, 2024, N5MD - Marla Hansen – Chains
Salt, 2024, Karaoke Kalk - Hior Chronik – Mend
Crave For More, 2024 Kí - Marie Klock – Se Goinfrer De Rage / Pourqoi Tu Veux Que Je Parle Si Tu T’en Fous
Damien Est Vivant, 2024, Pingipung - Jan Jelinek – Social Engineering 1
The Narrative Of The Heritage, 2024, Faitiche - Istari Lasterfahrer – Du Büst Dood Dub
Wat Ik Dacht Toen Ik Lag, 2024, Krachladen Dub/Makkum Records - Norma Tanega – You’re Dead (edit)
Walking My Cat Named Dog, 1966, New Voice Records - Jérémie Carrier – The Pendulum Experience (*)
Phased Out, 2024, Self-released - Marewrew – Sikata Kuykuy – Snow Falling From A Tree
Ukouk, 2024, Pingipung - Maja S.K. Ratke & Stian Westerhus – Walking Shadow
All Losses Are Restored, 2024, Crispin Glover Records - Filax Staël – Blue Dances
Traces, 2024, Revlaboratories - Taroug – Queen Of Carthage
Darts & Kites, 2024, Denovali - Doc Wör Mirran ft. Adrian Gormley – Schnulz #1
Schnulz, 2023, Attenuation Circuit - Seth Parker Woods, Ted Hearne – After We Ruin
Difficult Grace, 2024, Cedille Records - Marina Herlop – Babel
Nekkuja, 2023, Pan - Eugene Carchesio & Adam Betts – S
Circle Drum Music, 2023, Room40 - Kaiwei – Bamjam
Reprocessor, 2023, Long Echo Music - Kelpe – Only 92
LP10, 2024, Kit Records
(*) about The Pendulum Experience:
“So a chord has 15 notes, each has a difference of 0.2 BPM. The result is a gradual sweep of the spectrum of subdivisions! Every time we hear a bell, we arrive at an important subdivision, double hooks, triolets, hooks. Then the cycle repeats itself in the mirror. If you listen carefully you can even hear the septolets and quintolets at times! Then you can also see groups forming between the voices to create each subdivision.”
(Jérémie Carrier)